In today's lesson, you will exhibit your match-on-action sequence. We will review each sequence looking out for;
- Continuity (and continuity errors)
- Accurate MOA edits (looks like a single action)
- The use of a supportive underscore
- The use of realistic, balanced sound effects
We will rank order the sequences to discover the winner of the inaugural Cheslyn Hay Film Festival. I would like to submit my own sequence. How does yours compare to my benchmark production?
The rest of today's lesson will be dedicated to the development of your WaterAid documentary. This will be completed in next Friday's NEA lesson (focusing on Premier Elements skills).
At the start of next Thursday's lesson, we will start our unseen text analyse programme. Once a week, you will be given an unseen text (still or moving image) and asked to review it considering one of the critical perspectives we have studied so far. I will use this mini-assessment to inform my weekly intervention strategy (directing you to attend a catch-up session for each critical perspective you don't know or apply inappropriately). There is no way to magically impart the ability to label these critical perspectives; you just have to learn them the old fashioned way. However, here is a knowledge organiser covering the critical perspectives for 'media language' and 'representation'.
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